18-19 September 2015
Institute of English Studies, Senate House, London
This interdisciplinary conference aims to consider the interpretation of literary heritage objects in archives, museums and literary houses. It aims to stimulate an inclusive discussion about new and innovative ways to preserve and exhibit literary manuscripts and objects, drawing on the expertise of academics, curators and archivists.
Literary Heritage may traditionally speak of the preservation of authors’ manuscripts, belongings and houses, but it also must include interpretation, understanding and the relationship of the artefacts to the individual, the community and the culture as a whole. Continue reading
Out of all the manuscripts contained within a literary archive, authors’ letters perhaps promise the most naked insight into the mind of the artist. Quite often, these letters are intimate, confessional, the authors’ naked voices so different to published material or interviews where, knowing their words will be seen by a larger audience, they are on their best behaviour. This appearance of intimacy can be intoxicating for the researcher. It can often feel like eavesdropping on a private conversation, discovering an author’s unabridged opinions on everything from writing, to book, to political insights, as well as the tantalising pieces of gossipy trivia that reveal the author’s life, loves and more. But literary letters are much more complex documents than this sense of guard-down intimacy indicates. It is well known that the Romantic Poets would correspond with each other frequently, and many of these letter have become famous in their own right: